I’m an artist & writer living surrounded by wildlife in Connecticut with my talented artist/gardener wife of 66 years. For viewers with enormous patience my bio follows. For those lacking the necessary staying power, I advise you to skip it.
I was born in New York City in 1928. My father had flown airplanes made of canvas and sticks in WWl, in France, while my mother had sung and danced in vaudeville. Everything was fine until the Crash of 29. What I recall is a series of one-bedroom apartments and hard times, but my older sister and I had no complaints since this was simply the way things were, and many were worse off than we were, some of whom we occasionally took in for a week or two. People shared back then.
As a child I was always drawing with pencil and crayon, and painting with oils on cardboard. But most important at the time, I was a street kid along with hundreds of others and loved it. I shined shoes, sold newspapers, carried wet wash for Wong’s laundry, delivered groceries, then worked in a ping-pong paddle factory and various warehouses. For a few months in 1945 I served below decks in the engine room in the U.S. Maritime Service, before segueing that winter into the Army Engineers, Martin soldier small pintwhich consisted of building things, blowing up things, and running machinery.
I worked as an accounting clerk for a steamship line, shared driving big rigs interstate (first trip about 3800 miles, no super highways), then as a wire lather (way up) constructing high-rise apartment buildings. In 1949 I began using my G.I Bill: Fine art at the Art Student’s league of New York, and in 1950 at the Workshop School of Advertising and Editorial Design and Illustration, where I met my future, and very talented, wife, Lorraine. After one semester she left to attend The Parson’s School of Design. When my G.I. Bill expired I returned to the Art Student’s League at night, paying my way for a couple of years by running elevators in a Wall Street bank.
I designed record album covers but never went into advertising or illustration. Rather, having seen my wife’s work in decorative product design, I followed suit working on staff as a designer for 3 companies before, in 1963, creating my own design studio in midtown Manhattan, eventually becoming a consultant designer and design director for a number of corporations. Meanwhile we had two beautiful daughters, and by 1973, as Ryan Associates, Lorraine became my full time partner. While all this was going on I attended a writer’s workshop, at night, at what was then known as the New School for Social Research. As the years passed our daughters provided us with 5 wonderful grandchildren.
Retiring to Connecticut, Lorraine and I returned to fine art. Lorraine has shown in galleries and won many awards in juried shows. I focused on wildlife/nature in my paintings, then out of curiosity bought a computer, tinkered with it and studied web development at Western Connecticut University. I produced a number of websites including this one, and my wife’s, which is a gallery of her paintings: http://www.lorraineryanartgallery.com. Enough? I left out the bad stuff. For those who persevered in reading this—you are amazing.


2 replies »

  1. Hi Martin, I was wondering if you and your wife Lorraine used to write for American Fabrics/Fashion magazine. I am writing an article about disco’s influence on fashion in the 1970s for a British journal and wanted to use a quote from your column about women and their bodies in the Fall/Winter 1978 issue. I was wondering if you had any reminisces about disco, fashion, the physical fitness trend of the 1970s. Here is my website: nanturner.com. Thanks, Nan Turner (former garmento)
    Here is my website: nanturner.com.

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